![]() ![]() ![]() Unlike the previous Blue Velvet, I feel like the plot and development of Wild at Heart is a bit inferior to the wonderful photography. The structure remains chronological and quite easy to follow. Yet, I feel like Wild at Heart might be Lynch's most accessible film (outside The Elephant Man and The Straight Story). As usually, Lynch introduces a bunch of wicked individuals in his film who're all messed up in the head pretty bad. I challenge you to find one personality in this film that could be referred to as a normal human being'. Definitely it would be the worst movie for those interested in entering Lynch's filmography, although fans of the director will not only know what to expect from this feature-length film, but will also see his most ambitious, grotesque, sublime, and deliciously confusing and impenetrable work.The most creative and controversial director in cinema is back with a road-movie! Wild at Heart is one rough roller coaster ride and a typical Lynch-cocktail of violence, sex and of course bizarre characters. The result is a challenging three-hour footage that follows a similar line to 'Por el lado oscuro del camino' ('Lost Highway') and 'Sueños, misterios y secretos' ('Mulholland Drive') -unofficially forming the 'Trilogía de Los Ángeles'-, interweaving various nightmarish stories whose relationships between them are abstract at best, filmed in digital video format that exalts its delirious aesthetics. It is also David Lynch in his most "lynchian" mode, offering here what appears to be a story of an actress (Laura Dern) who, when submitting to filming the remake of an unfinished and supposedly cursed movie, gradually loses her contact with reality. David Lynch 2006 With totally and absolutely surreal aspirations that discard all traditional narrative logic, 'El imperio' ('Inland Empire') is, so far, the last feature-length film by David Lynch ('Eraserhead').
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